Chrysalis Quads. Transformation of four female humanoids into adult form. Models: Kay Ace, Rachel Lilly
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Lior Allay and Kay Ace dancing nude under a purple bouquet of lights.
Two Women dancing naked in a funhouse inspired by the Cabinet of Dr. Caligari. Models: Lior Allay and Kay Ace
We grow like snakes, shedding layers of skin that we leave behind in dried-out, lifeless husks as we get larger and larger–only these skins take on many forms in many dimensions: the cradle, the playpen, school, ignorance, fears, home, church, friends, belief systems, teams, clubs, tribes, self-image, etc.; and until we shed these once-protective, now-restrictive layers, we are confined in virtual jars that are usually transparent enough to see at least some of what is outside but prevents us from exploring all that is beyond the glass walls of whatever manifestations of super-ego we find ourselves trapped behind.
Four masked witches dance around a bonfire in a clearing in the woods. Models: CJ, Angela, Leeanna, Anastasia
Church of the Damned. Model: Olinka Lickova
Olinka in the Church of the Damned
In the Church of the Damned, where shadows dance,
Olinka stands, exalted, a spectral trance.
Above the dark demons and undead wail,
She rises, a figure in a ghostly veil.
The air, thick with a greenish swampy haze,
Creeps through the crevasses, in a spectral daze.
The rotting basilica, a haunted stage,
Its pilasters crumble in an ancient age.
Olinka’s presence, a beacon in the gloom,
A silhouette against the haunted tomb.
Her eyes, pools of mystery, deep and vast,
Hold the secrets of a forgotten past.
Around her, the undead whisper in despair,
Demons bow in reverence, a macabre affair.
As the swampy mist encircles each decayed stone,
Olinka stands, in majesty, alone.
A symphony of darkness, a spectral ballet,
In the Church of the Damned, where shadows play.
Olinka, a queen in this ethereal domain,
In haunting beauty, she shall forever reign.